Visualmotive Blog

Thoughts on maps and visualization

Visualizing Radiohead’s Kid A

Everything In Its Right Place

Everything In Its Right Place

Kid A

Kid A

National Anthem

National Anthem

How To Disappear Completely

How To Disappear Completely

Treefingers

Treefingers

Optimistic

Optimistic

In Limbo

In Limbo

Idioteque

Idioteque

Morning Bell

Morning Bell

Motion Picture Soundtrack

Motion Picture Soundtrack

Visualizations show relative pitch strength across the duration of the song. Colors scheme is derived from the Kid A album cover. Song analysis by Echo Nest via the Echo Nest Remix toolkit. Rendering was done with PyCairo.

Apr 13, 2009One Comment

Steve Reich, Pulses

Steve Reich - "Pulses", visualized with Python and the Echo Nest API

Steve Reich - "Pulses"

Steve Reich’s Music for 18 Musicians. The first section, “Pulses” is visualized above using custom Python scripts. Analysis of the music is provided by the Echo Nest API.

See also, Song Visualizations with Echo Nest.

Mar 27, 2009One Comment

Song Visualizations with Echo Nest

Philip Glass String Quartet #5, 2nd Movement

Philip Glass String Quartet #5, 2nd Movement

We recently came across Anita Lillie’s beautiful music visualization and MusicBox projects. The music visualization project was especially intriguing to us, since it was the only music visualization project we’d seen that did not require video playback—the visualizations were strictly in 2D. Unfortunately, the source code for Lillie’s visualizations was not available, so we decided to build our own.

Our goal was to build a 2D visualization that could be approached like one of Edward Tufte’s sparklines: a quick, snapshot overview with high information density. In addition, having an image snapshot of a song could be useful for visually-minded people who often find themselves thinking of music as in spatial or pictorial terms. In the same way that Cicero used different rooms in his home to memorize different sections of his oratories, a 2D song-picture could provide a memorable structure for interpreting and contextualizing moments in a piece of music.

Here is the fruit of our labors. The top segment represents volume across the duration of the song. The bottom segments represent the 12 pitches of the song’s primary key, and the weight of each block corresponds to that pitch’s volume at that point in the song. Details, including Echo Nest integration and source code, are below.

Pink Floyd, Dark Side of the Moon, "Speak to Me/Breathe in the Air"

Pink Floyd, Dark Side of the Moon, "Speak to Me/Breathe in the Air". The opening crescendos of this album are clearly visible.

Crystal Method, Vegas, "High Roller"

Crystal Method, Vegas, "High Roller". We like the seeing that perfect volume curve at the beginning of this song. There's a pronounced industrial feeling here.

John Williams, Star Wars: A New Hope, "Imperial Attack"

John Williams, Star Wars: A New Hope, "Imperial Attack". This visualization should probably be in black.

Goldfrapp, Supernature, "Ride a White Horse"

Goldfrapp, Supernature, "Ride a White Horse". Volume leveling clearly visible. Pop at its finest.

Mozart, Requiem, "Kyrie"

Mozart, Requiem, "Kyrie"

George Maasry, "Permutations"

George Maasry, "Permutations". Mathematical permutations on a theme.

Read the rest of this entry »

Mar 19, 20095 Comments

Robots

Robot hand holding a plastic straw

Robot hand holding a plastic straw

We are impressed especially by the delicacy of movement and interaction these robots must possess. See more pictures.

Mar 9, 2009Leave a comment

Arvo Pärt

Estonian composer Arvo Pärt’s Tabula Rasa surprises us for its apparent simplicity yet forceful emotional content. Tabula Rasa features two violins, piano, and orchestra. Linked here is the 4th section.

The composer describes his music as tintinnabuli, or a ringing of the bells. His influences range from neoclassical to medieval chant to Schoenberg and the 20th century minimalists. Attempts to categorize Pärt trend to sacred- or holy-minimalism; his work often contains Christian motivation and text and is rhythmically simple and often mathematically derived. He was born in 1935.

Thanks to @neverett for the recommendation.

Mar 5, 2009Leave a comment